Radia fm

New and forgotten ways of making radio

Upcoming shows

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  1. New and forgotten ways of making radio

  2. New and forgotten ways of making radio

  3. New and forgotten ways of making radio

Past shows

  1. 1) With the programme VIENNA CRAWLING, the Vienna Radia Collective feat. Fabi Lux would like to welcome a new guest (Fabi) to Vienna and make ‘arriving in the city’ the topic of discussion.Equipped with the sounds of the city on their way to the radio station, the group met for a radio programme in which the concept of the programme was discussed live in an on-air public editorial meeting. Fabi Lux used the material from all the participants, including the recording of this editorial meeting, as material for a remix.Fabi mixed the sounds with DJ software, changed speeds, added effects and asked chance if it would like to contribute to the flow. VIENNA CRAWLING is a mixtape that tells of the journey, of arriving and then inviting you to take another trip.
    2) Duuu Radio presents a compilation of tracks from the vinyl “Lo gëm, mu nekk”, by the artist Bocar Niang, edited and pressed by Duuu in 2023. The vinyl LGMN is a rap album consisting of 10 tracks. The album explores its musical influences through the variety of languages that resonate within it, including Wolof, English, and French. This musical project is the result of six years of research into writing, composition, and the dissemination of music. The phrase “Lo gëm, mu nekk” could be translated from Wolof into French as “Advient ce en quoi tu crois” (“Let what you believe in come to pass”). Bocar envisions Lo gëm, mu nekk as a slogan for young Senegalese people, offering hope and courage to Senegalese society, Africa, and its diaspora, who endure the oppressive weight of perpetuated African dictatorships. Radia.fm

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  2. *Duuu Radio presents a compilation of tracks from the vinyl “Lo gëm, mu nekk”, by the artist Bocar Niang, edited and pressed by *Duuu in 2023. The vinyl LGMN is a rap album consisting of 10 tracks. The album explores its musical influences through the variety of languages that resonate within it, including Wolof, English, and French. This musical project is the result of six years of research into writing, composition, and the dissemination of music. The phrase “Lo gëm, mu nekk” could be translated from Wolof into French as “Advient ce en quoi tu crois” (“Let what you believe in come to pass”). Bocar envisions Lo gëm, mu nekk as a slogan for young Senegalese people, offering hope and courage to Senegalese society, Africa, and its diaspora, who endure the oppressive weight of perpetuated African dictatorships.

  3. Nostalgia for the Androgynous unfolds an ethereal-telluric space for voices and concrete sound, generative drones creating arcane sounds, lo-fi recordings, lyrical witchcraft, high-hovering voices, dazed and processed in glossolalic harmonies progressively embodied in organic and mineral scenarios. Occult soundscapes melt alternative listening paths in a cathartic collision, haunting and refreshing at a time, an atmosphere of ascent and intimacy, ambiguous, nostalgic, and visceral. Serena Dibiase is an experimental vocalist, sound artist, performer, poet.

  4. New and forgotten ways of making radio

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