Broadcasts

Weltweite Vernetzungsplattform für experimentelles Radio…

Depleted soil, over-asi: dic seas, polluted atmospheres. People are haunted by what they have suppressed. They can no longer escape the toxic. In their long-term art project “Toxic Temple”, Anna Lerchbaumer and Kilian Jörg, approach the beauty of oil streaks, the grandeur of techno scrap, the sublimeness of radioactivity and the tran: scen: dence of extinction.

Experimental Radio Network… today: Stop/Play. Change de fréquences… ! Pile ou face ? Et si on jouait à ça pour changer nos perceptions du monde ? Et si on capturait l’extérieur, on le transformait et on le réécoutait un peu plus à notre oreille, depuis l’intérieur ? Je suis sûre que mon bébé serait tout heureux…(Mathilde Lacroix est basée à Bruxelles. Après des études de traduction et de documentaire sonore, elle étudie la musique électroacoustique.) Mehr Radia.fm hier…

Three movements, each exploring our location at Dartington Hall as somewhere where time slips between different years, decades, centuries. In August, when musicians gather for the Summer School, as you wander around the medley of medieval and modernist buildings different musics seep out of every door and window. The musicians and audiences bring and share memories of their visits here over the years, and make new ones.

Mnemonic45 (Goce Gligurovski) is a musician and sound artist from Macedonia. More than a year ago he moved from his native town of Bitola to the mountain village of Papradiste. He made his home there as a host of the mountain hut, a former school building in a now almost abandoned village.
This audio collage is a heartfelt homage to the beautiful village of Papradiste: the winter loneliness, the birds in early springtime, unexpected encounters and spontaneous music collaborations… in the heart of the mountain different worlds coexist in harmony.

Drawn from the research of Social Distance, Digital Congregation: British Ritual Innovation under COVID-19 at Manchester University, England, ‘Loss in Translation’ is a montage piece interweaving the voices of funeral and death care professionals across faiths and people who have lost loved ones during the pandemic from interviews recorded remotely during the UK’s tough winter lockdown restrictions of 2021. This is a sociological piece reflecting on how important religious and non- religious rituals are and the potentially long-term trauma incurred when they are taken away. We discover the initiation of a ‘standing stone,’ erected as a memorial for this time when death has been so present in many people’s lives.
Researched by Paulina Kolata and produced by Lucia Scazzocchio (Social Broadcasts) and Sasha Edye-Lindner.

In 2008/2009 – I was in my late twenties but felt like in late puberty – I worked on a collection of fixed sound pieces that I would describe as precisely composed „field poems“. These LAMENTS (as a half-ironic reference to Monteverdis famous Lamento d’Arianna) are based on somewhat classical field recording material (daily life, urban soundscapes, noise) and on the other hand extremely private, spoken and often sobbed confessions I would nowadays assume to be evidence of a mental crisis combined with a devastating love story. Experimentelles Radio des Netzwerks Radia.FM