Broadcasts

The programme for this half-hour broadcast consists of Winter [21m53s] and Volute [6m20s]. The first piece was recorded during a blizzard as I sat inside a warm recording studio in Stoney Creek. I watched the snow come down for hours through the big windows while I programmed the Nord Electro all day. The second piece is an electric meditation of resonating fields and buzzing wires that was recorded in my apartment at the Victory Building in Hamilton. It was among my first forays into recording static, magnetic noise, and other such sources as sound material. I hope that these pieces from 20 years ago provide a unique listening experience.
Constantine Katsiris has been a composer of experimental electronic music for nearly three decades. More on radia.fm

Radia FM…Part One: Malgrado col tempo si sfaldi is a composition born from Stefano De Ponti’s notebooks and from the research materials and intuitions gathered during his field investigations at the Nardini sandstone quarry in Vellano, Tuscany. It brings together and organizes a wide range of thoughts and sketches, by aiming to value the craft and relational aspects of the process that unfolded between the quarry environment, Nub Project Space in Pistoia and the Tempo Reale research centre in Florence.
Part Two: Formed in Autumn 2020 RADIOM(e) is a network of radio artists from the Greater Region which is comprised of Luxembourg and the surrounding regions of France, Belgium and Germany. Throughout 2021 the artists from the network sent each other audio postcards from their local area and beyond. Their radio post was revisited by Natalie Rubchenko for this Radia episode. For more information on the artist network, please visit https://radiom-radiome.eu/

Formed in Autumn 2020 RADIOM(e) is a network of radio artists from the Greater Region which is comprised of Luxembourg and the surrounding regions of France, Belgium and Germany. Throughout 2021 the artists from the network sent each other audio postcards from their local area and beyond. Their radio post was revisited by Natalie Rubchenko for this Radia episode.

…Following an invitation from the French radio network TT Node, this sound creation is an invitation to travel. Imagination is undoubtedly, and will always be, our means to cross the world and to dream about it differently. The author, Charles-Henri Despeignes is a graduate of the conservatory of Pantin in electroacoustic music and has a University Diploma in Theatre. He trained at Radio Campus, and then produced programmes for Le Mouv’, France Culture, RFI.He also has a company, Les Bruits du Réel, with whom he produces immersive sound works.
Based in Marseille, he recently composed the sound scores for shows for Galmae and Ex Nihilo theatre groups. More Radia fm

This piece is loosely based on the live performance Claire Rousay did at WORM. Many of the same texts, samples, and forms were used in both the live and recorded versions of this piece. The recorded version, which is being broadcasted, features synthesizers, guitars, and field recordings that the live performance did not. This is due to the abundant resources the studio at WORM has. Thematically, the composition revolves around the idea of friendship, what makes it good/bad/valid. Claire Rousay is based in San Antonio, Texas. Her music zeroes in on personal emotions and the minutiae of everyday life – voicemails, haptics, environmental recordings, stopwatches, whispers and conversations – exploring and maybe “exploding” their significance. Stylistically Rousay draws on domestic musique concrete, voice recordings, percussion and multi-instrumentalism. She has built up an extensive body of work in a relatively short time, proving herself to be a most intruiguing contemporary sound artist. WORM is delighted to welcome her for a residency and a gig.

MP Hopkins’ Page 38 (language wrinkles) is an exercise in spatially-decentred radiophony and poetic indeterminacy. It builds an intimate architecture of Hertian space in order to interrogate and unravel ideas of the broadcast voice as one-way transmission, setting in motion a series of ellipses and feedback loops. Using radio as both medium and method, a page from an evolving text score the artist has been writing since 2018 is vocalised and sent into the aether, an open-ended process incorporating several mediating techniques that work sequentially to further multiply and distribute: live FM radio improvisations that function as feedback systems rerouting signals through multiple sources that emerge again, transfigured, within the same on-air broadcast; low power FM transmissions and spatially-located arrays of small receivers channelling playback through an echo-chamber of domestic activity, the artist recording his own listening-to and listening-with.
MP Hopkins is an artist working on Gadigal and Wangal land in Sydney, Australia that makes audio, performance, radiophonic, and textual works. He uses voice, feedback, recording/playback devices, and verbal notation within different acoustic environments, which are deconstructed and presented to the listener in delicate and degraded ways.

Formed in Autumn 2020 RADIOM(e) is a network of radio artists from the Greater Region which is comprised of Luxembourg and the surrounding regions of France, Belgium and Germany. Throughout 2021 the artists from the network sent each other audio postcards from their local area and beyond. Their radio post was revisited by Natalie Rubchenko for this Radia episode. For more information on the artist network, please visit radiom-radiome.eu

Da Radia FM gerade etwas stockt, hören wir heute eine Übernahme aus dem Umfeld der Wutpilger-Streifzüge und dem