Broadcasts

New and forgotten ways of making radio

New and forgotten ways of making radio

New and forgotten ways of making radio.

Show 949: Midnight Echoes by proxy_404 (radioart106)
Midnight Echoes: A Sonic Journey Through Overthinking

Show: 948 Frontyard for Diffusion by Hethre Contant & Jon Panther
This brunch residency occurred every Saturday morning from 11am (ish) to 2pm (ish) in Frontyard’s Frontyard Marrackville NSW.

New and forgotten ways of making radio.

Show: Irc Theatre by TT Node
Irc is what brought P-node together , we were all small entities streaming from somewhere at the break of the century , the chat linked us , we had different servers, different bots , some useful some that made a marasma flood that made communication impossible.

Show 949: Midnight Echoes by proxy_404 (radioart106)
Midnight Echoes: A Sonic Journey Through Overthinking

Irc is what brought P-node together , we were all small entities streaming from somewhere at the break of the century , the chat linked us , we had different servers, different bots , some useful some that made a marasma flood that made communication impossible.First version of the Irc theater was an idea during our first residency in Berlin where the idea was to read all comments on our website , via vocal synthesisers on on side on the Fm waves of Deutchland Radio Kultur , and a human voice on the AM frequencies used by the same radio.

A reflection on the community approach of music research, waiving together different methodologies in the making of sound, from improvisation to structured compositions, passing through live set and A\V performance and any kind of other related attitudes. Radio and technology have always been related each others, as long as the broad of a growing non-real and immaterial space as this media represents its arial forms.

A reflection on the community approach of music research, waiving together different methodologies in the making of sound, from improvisation to structured compositions, passing through live set and A\V performance and any kind of other related attitudes.
Radio and technology have always been related each others, as long as the broad of a growing non-real and immaterial space as this media represents its arial forms.

Sarah Sweeney’s father died when he was forty-four and she was seventeen. When Sweeney turned forty-four, she wanted to talk to him again. She contacted Resemble AI, a company that creates clones of voices using machine learning, and they worked together to create an AI model of her father’s voice. When this model was completed Sweeney was able to type and speak words into the interface and hear him speak. Conversations with My Deepfake Dad is a series of six conversations created through Sweeney’s interactions with this audio deepfake of her father.

New and forgotten ways of making radio

Tokyo is a city in a continual state of performance, a panoply of lives compressed into a dense metropolis. Underneath all the glossy commerce, all the confronting pop culture, all the tourists, however, is the city’s strange and fascinating underbelly – a rich strata of human subcultures. Over one humid, woozy summer weekend James Greer and Neil Luck traverse the marginalia of Tokyo at night, negotiating its train lines, visiting deserted bubble-era ghost towns, underground jazz venues, salaryman drinking spots, and a tiny bar repurposed as a theatre. “We all emerge some hours later, baffled” is their disorienting mix of reconfigured field recordings and half remembered reflections.

Cardes is a non-project expecting to recall some sounds here and there, depending on variable locations, playing sometimes tiny guitar stuff and sending all that material like virtual postcards.
Those Summer Sketches are based upon two different cards (here and there) from last august, completing with fragments of two conversations with Cardes’ grandmother (in 2006 and 2014) and Styx, a viola de gambe piece played by Benjamin Jarry.