Oct 04 – Nov. 15, 2024
Fri, Oct 04 2024
The first electronic music I ever played as a teenager was on a Hammond organ. The drum machine and rhythm generators in particular fascinated me; simplistic devices but somehow very creative, and something in the sound was strangely compelling. I heard Lee Scratch Perry, Sly and the Family Stone, Cabaret Voltaire and Suicide do some remarkably enduring music with such drum boxes, which of course later went on to become a basic element of electronic dance music in general. With this piece I revisit some of these dusty old machines and also some of the other vintage instruments in the studio at Worm, plus my modular synthesiser and sampler, instruments from Rob Hordijk and some occasional blasts of modulated radio.
Fri, Oct 18 2024
New and forgotten ways of making radio
Fri, Nov 15 2024
Nostalgia for the Androgynous unfolds an ethereal-telluric space for voices and concrete sound, generative drones creating arcane sounds, lo-fi recordings, lyrical witchcraft, high-hovering voices, dazed and processed in glossolalic harmonies progressively embodied in organic and mineral scenarios. Occult soundscapes melt alternative listening paths in a cathartic collision, haunting and refreshing at a time, an atmosphere of ascent and intimacy, ambiguous, nostalgic, and visceral. Serena Dibiase is an experimental vocalist, sound artist, performer, poet.